Partial Extract from
"In This Very Life
The Liberation Teachings of the Buddha"
By
Sayadaw U Pandita

MEDITATION INSTRUCTIONS

The Buddha suggested that either a forest place under a tree or any other very quiet place is best for meditation. He said the meditator should sit quietly and peacefully with legs crossed. If sitting with crossed legs proves to be too difficult other sitting postures may be used. For those with back trouble a chair is quite acceptable. It is true that to achieve peace of mind, we must make sure our body is at peace. So it is important to choose a position that will be comfortable for a long period of time.
Sit with your back erect, at a right angle to the ground, but not too stiff. The eason for sitting straight is not difficult to see. An arched or crooked back will soon bring pain. Furthermore, the physical effort to remain upright without additional support energizes the meditation practice.
Close your eyes. Now place your attention at the belly, at the abdomen. Breathe normally, not forcing your breathing, neither slowing it down nor hastening it, just a natural breath. You will become aware of certain sensations as you breathe in and the abdomen rises, as you breathe out and the abdomen falls. Now sharpen your aim and make sure that the mind is attentive to the entirety of each process. Be aware from the very beginning of all sensations involved in the rising. Maintain a steady attention through the middle and the end of the rising. Then be aware of the sensations of the falling movement of the abdomen from the beginning, through the middle, and to the very end of the falling.
Although we describe the rising and falling as having a beginning, a middle, and an end, this is only in order to show that your awareness should be continuous and thorough. We do not intend you to break these processes into three segments. You should try to be aware of each of these movements from beginning to end as one complete process, as a whole. Do not peer at the sensations with an over-focused mind, specifically looking to discover how the abdominal movement begins or ends.
In this meditation it is very important to have both effort and precise aim, so that the mind meets the sensation directly and powerfully. One helpful aid to precision and accuracy is to make a soft mental note of the object of awareness, naming the sensation by saying the word gently and silently in the mind, like "rising, rising...falling, falling."

Returning from Wandering

There will be moments when the mind wanders off. You will start to think of something. At this time, watch the mind! Be aware that you are thinking. To clarify this to yourself, note the thought silently with the verbal label "thinking, thinking," and come back to the rising and falling.
The same practice should be used for objects of awareness that arise at any of what are called the six sense doors: eye, ear, nose, tongue, body, and mind. Despite making an effort to do so, no one can remain perfectly focused on the rising and falling of the abdomen forever. Other objects inevitably arise and become predominant. Thus, the sphere of meditation encompasses all of our experiences: sights, sounds, smells, tastes, sensations in the body, and mental objects such as visions in the imagination or emotions. When any of these objects arise you should focus direct awareness on them, and use a gentle verbal label "spoken" in the mind.
During a sitting meditation, if another object impinges strongly on the awareness so as to draw it away from the rising and falling of the abdomen, this object must be clearly noted. For example, if a loud sound arises during your meditation, consciously direct your attention toward that sound as soon as it arises. Be aware of the sound as a direct experience, and also identify it succinctly with the soft, internal verbal label "hearing, hearing." When the sound fades and is no longer predominant, come back to the rising and falling. This is the basic principle to follow in sitting meditation.
In making the verbal label, there is no need for complex language. One simple word is best. For the eye, ear, and tongue doors we simply say, "Seeing, seeing... Hearing, hearing... Tasting, tasting." For sensations in the body we may choose a slightly more descriptive term like warmth, pressure, hardness, or motion. Mental objects appear to present a bewildering diversity, but actually they fall into just a few clear categories such as thinking, imagining, remembering, planning, and visualizing. But remember that in using the labeling technique, your goal is not to gain verbal skills. Labeling technique helps us to perceive clearly the actual qualities of our experience, without getting immersed in the content. It develops mental power and focus. In meditation we seek a deep, clear, precise awareness of the mind and body. This direct awareness shows us the truth about our lives, the actual nature of mental and physical processes.
Meditation need not come to an end after an hour of sitting. It can be carried out continuously through the day. When you get up from sitting, you must note carefully — beginning with the intention to open the eyes. "Intending, intending... Opening, opening." Experience the mental event of intending, and feel the sensations of opening the eyes. Continue to note carefully and precisely, with full observing power, through the whole transition of postures until the moment you have stood up, and when you begin to walk. Throughout the day you should also be aware of, and mentally note, all other activities, such as stretching, bending your arm, taking a spoon, puffing on clothes, brushing your teeth, closing the door, opening the door, closing your eyelids, eating, and so forth. All of these activities should be noted with careful awareness and a soft mental label.
Apart from the hours of sound sleep, you should try to maintain continuous mindfulness throughout your waking hours. Actually this is not a heavy task; it is just sitting and walking and simply observing whatever occurs.

WALKING MEDITATION

During a retreat it is usual to alternate periods of sitting meditation with periods of formal walking meditation of about the same duration, one after another throughout the day. One hour is a standard period, but forty-five minutes can also be used. For formal walking, retreatants choose a lane of about twenty steps in length and walk slowly back and forth along it.
In daily life, walking meditation can also be very helpful. A short period - say ten minutes - of formal walking meditation before sitting serves to focus the mind. Beyond this advantage, the awareness developed in walking meditation is useful to all of us as we move our bodies from place to place in the course of a normal day.
Walking meditation develops balance and accuracy of awareness as well as durability of concentration. One can observe very profound aspects of the Dhamma while walking, and even get enlightened! In fact a yogi who does not do walking meditation before sitting is like a car with a rundown battery. He or she will have a difficult time starting the engine of mindfulness when sitting.
Walking meditation consists of paying attention to the walking process. If you are moving fairly rapidly, make a mental note of the movement of the legs, "Left, right, left right" and use your awareness to follow the actual sensations throughout the leg area. If you are moving more slowly, note the lifting, moving and placing of each foot. In each case you must try to keep your mind on just the sensations of walking. Notice what processes occur when you stop at the end of the lane, when you stand still, when you turn and begin walking again. Do not watch your feet unless this becomes necessary due to some obstacle on the ground; it is unhelpful to hold the image of a foot in your mind while you are trying to be aware of sensations. You want to focus on the sensations themselves, and these are not visual. For many people it is a fascinating discovery when they are able to have a pure, bare perception of physical objects such as lightness, tingling, cold, and warmth.
Usually we divide walking into three distinct movements: lifting, moving and placing the foot. To support a precise awareness, we separate the movements clearly, making a soft mental label at the beginning of each movement, and making sure that our awareness follows it clearly and powerfully until it ends. One minor but important point is to begin noting the placing movement at the instant that the foot begins to move downward.

A New World in Sensations

Let us consider lifting. We know its conventional name, but in meditation it is important to penetrate behind that conventional concept and to understand the true nature of the whole process of lifting, beginning with the intention to lift and continuing through the actual process, which involves many sensations.
Our effort to be aware of lifting the foot must neither overshoot the sensation nor weakly fall short of this target. Precise and accurate mental aim helps balance our effort. When our effort is balanced and our aim is precise, mindfulness will firmly establish itself on the object of awareness. It is only in the presence of these three factors - effort, accuracy and mindfulness - that concentration develops. Concentration, of course, is collectedness of mind, one-pointedness. Its characteristic is to keep consciousness from becoming diffuse or dispersed.
As we get closer and closer to this lifting process, we will see that it is like a line of ants crawling across the road. From afar the line may appear to be static, but from closer up it begins to shimmer and vibrate. And from even closer the line breaks up into individual ants, and we see that our notion of a line was just an illusion. We now accurately perceive the line of ants as one ant after another ant, after another ant. Exactly like this, when we look accurately at the lifting process from beginning to end, the mental factor or quality of consciousness called "insight" comes nearer to the object of observation. The nearer insight comes, the clearer the true nature of the lifting process can be seen. It is an amazing fact about the human mind that when insight arises and deepens through vipassana or insight, meditation practice, particular aspects of the truth about existence tend to be revealed in a definite order. This order is known as the progress of insight.
The first insight which meditators commonly experience is to begin to comprehend - not intellectually or by reasoning, but quite intuitively - that the lifting process is composed of distinct mental and material phenomena occurring together, as a pair. The physical sensations, which are material, are linked with, but different from, the awareness, which is mental. We begin to see a whole succession of mental events and physical sensations, and to appreciate the conditionality that relates mind and matter. We see with the greatest freshness and immediacy that mind causes matter - as when our intention to lift the foot initiates the physical sensations of movement, and we see that matter causes mind - as when a physical sensation of strong heat generates a wish to move our walking meditation into a shady spot. The insight into cause and effect can take a great variety of forms; but when it arises, our life seem far more simple to us than ever before. Our life is no more than a chain of mental and physical causes and effects. This is the second insight in the classical progress of insight.
As we develop concentration we see even more deeply that these phenomena of the lifting process are impermanent, impersonal, appearing and disappearing one by one at fantastic speed. This is the next level of insight, the next aspect of existence that concentrated awareness becomes capable of seeing directly. There is no one behind what is happening; the phenomena arise and pass away as an empty process, according to the law of cause and effect. This illusion of movement and solidity is like a movie. To ordinary perception it seems full of characters and objects, all the semblances of a world. But if we slow the movie down we will see that it is actually composed of separate, static frames of film.

The Four Foundations of Mindfulness

How to Interview with a Teacher?

The Interview

by Sayadaw U Pandita “In This Very Life”, Chapter 1.
The Interview Process

The interview process is quite simple. You should be able to communicate the essence of your practice in about ten minutes. Consider that you are reporting on your research into yourself, which is what vipassana actually is. Try to adhere to the standards used in the scientific world brevity, accuracy and precision.

First, report how many hours of sitting you did and how many of walking in the most recent twenty-four-hour period. If you are quite truthful and honest about this, it will show the sincerity of your practice.

Next, describe your sitting practice. It is not necessary to describe each sitting in detail. If sittings are similar, you may combine their traits together in a general report. Try using details from the clearest sitting or sittings. Begin your description with the primary object of meditation, the rise and fall of the abdomen. After this you may add other objects that arose at any of the six sense doors.

After describing the sitting, go into your walking practice. Here you must only describe experiences directly connected with your walking movements -- do not include a range of objects as you might in reporting a sitting. If you use the three-part method of lifting, moving and placing in your walking meditation try to include each segment and the experiences you had with it.

What Occurred, How You Noted It, What Happened to It

For all of these objects, indeed with any object of meditation, please report your experience in three phases.

One, you identify what occurred. Two, you report how you noted it. And three, you describe what you saw, or felt, or understood, that is, what happened when you noted it.

Let us take as an example the primary object, the rising and falling movement of the abdomen.

The first thing to do is to identify the occurrence of the rising process, "Rising occurred"

The second phase is to note it, give it a silent verbal label, "I noted it as 'rising.'

The third phase is to describe what happened to the rising

"As I noted 'rising,' this is what I experienced, the different sensations. I felt This was the behavior of the sensations at that time"

Then you continue the interview by using the same three-phase description for the falling process and the other objects that arise during sitting. You mention the object's occurrence, describe how you noted it, and relate your subsequent experiences until the object disappears or your attention moves elsewhere.

As you can see, this style of reporting is a guide for how awareness should be functioning in actual vipassana meditation. For this reason, meditation interviews are helpful for an additional reason beyond the chance to receive a teacher's guidance. Yogis often find that being required to produce a report of this kind has a galvanizing effect on their meditation practice, for it asks them to focus on their experiences as clearly as they possibly can.

Awareness, Accuracy, Perseverance

It is not enough to look at the object indifferently, haphazardly or in an unmindful, automatic way. This is not a practice where you mindlessly recite some mental formula. You must look at the object with full commitment, with all of your heart. Directing your whole attention toward the object, as accurately as possible, you keep your attention there so that you can penetrate into the object's true nature.

Despite our best efforts, the mind may not always be so well-behaved as to remain with our abdomen. It wanders off. At this point a new object, the wandering mind, has arisen. How do we handle this? We become aware of the wandering. This is the first phase. Now the second phase we label it as "wandering, wandering" How soon after its arising were we aware of the wandering? One second, two minutes, half an hour? And what happens after we label it? Does the wandering mind disappear instantly? Does the mind just keep on wandering? Or do the thoughts reduce in intensity and eventually disappear? Does a new object arise before we have seen the disappearance of the old one? If you cannot note the wandering mind at all, you should tell the teacher about this, too.

If the wandering mind disappears, you come back to the rising and falling. You should make a point to describe whether you are able to come back to it. In your reports it is good, also, to say how long the mind usually remained with the rising and falling movements before a new object arose.

Pains and aches, unpleasant sensations, are sure to arise after some time of sitting. Say an itch suddenly appears -- a new object. You label it as "itching" Does the itch get worse or remain the same? Does it change or disappear? Do new objects arise, such as a wish to scratch? All this should be described as precisely as possible. It is the same with visions and sights, sounds and tastes, heat and cold. tightness, vibrations, tinglings, the unending procession of objects of consciousness. No matter what the object, you only have to apply the same three-step principle to it.

All of this process is done as a silent investigation, coming very close to our experience -- not asking ourselves a lot of questions and getting lost in thought. What is important to the teacher is whether you could be aware of whatever object has arisen, whether you had the accuracy of mind to be mindful of it, and the perseverance to observe it fully. Be honest with your teacher. If you are unable to find the object, or note it, or experience anything at all after making a mental label, it may not always mean that you are practicing poorly! A clear and precise report enables the teacher to assess your practice, then point out mistakes or make corrections to put you back on the right path. May you benefit from these interview instructions. May a teacher someday help you help yourself.